Based on the instructions given by Planning, visualizing game elements such as world setting, characters and backgrounds, via line drawings and colored images.
The job will mostly require you to create the material images to be displayed on the game screen; it could be said this job determines the visual image of the game. Created materials are not only confined to the development of the game; they will be used for various publicity purposes, such as advertising and packaging.

In addition, you might be required to work on symbol designs for the onscreen system menu. This job will require you to prepare menus, symbol designs and original fonts using 2DCG tools. Symbol designs and original fonts will constantly be seen by the game players; it is a task not to be taken lightly.

Mainly PHOTOSHOP, Painter, FLASH and Illustrator will be used for the work.

Though Japanese skills are not neccesary, English skills are required.

Creating character models as they actually appear in a game (game movie) based on the instructions given by Planning and the design drawings created by the 2D designer.
This job involves the creation of three-dimensional figures as 3D models from 2D design drawing; strong cognitive and imaginative abilities concerning space recognition are required. Aside from the creation of models, techniques and artistic skills in drawing textures as a 2D designer are required.

Mainly MAYA, 3dstudio Max and PHOTOSHOP are used for the work.

Though Japanese skills are not neccesary, English skills are required.

Creating background (BG) models such as natural objects and buildings as they actually appear in a game based on the instructions by Planning and design drawings created by the 2D designer.
This job involves the creation of three-dimensional figures as 3D models from 2D design drawing; strong cognitive and imaginative abilities concerning space recognition are required. Aside from the creation of models, techniques and artistic skills in drawing textures as a 2D designer are required. Furthermore, animate them and construct a detailed world; very important work.

Mainly MAYA, 3dstudio Max and PHOTOSHOP are mainly used for the work.

Though Japanese skills are not neccesary, English skills are required.

Adding motion to the model data created by the character model designer by using a CG tool.
Based on the setting created by Planning, this job brings life into characters and greatly influences the impression of the game. Setting up models with motion in a manageable way is one of the most important jobs. Regardless of experience, we are looking for a designer with both high ideals and enthusiasm - "If I were a motion designer in this project, I would move them in this way!"

Mainly MAYA, 3dstudio Max and MOTION BUILDER are used for the work.

Though Japanese skills are not neccesary, English skills are required.

By using 2D and 3D tools, create special effects as they actually appear in the game.
Create effects similar to those used in movie films such as fire, smoke, magic or special weapons or techniques. This job involves consideration of the combination of models and motion with the instructions (text) given by Planning, and the creation of much better effects; it is essential for the applicant to have a good designer's sense.

Mainly MAYA, 3dstudio Max, PHOTOSHOP, ILLUSION and After Effect are used for the work.

Though Japanese skills are not neccesary, English skills are required.

Prepare for the adoption of new technology, create examples of practical use and give technological education to in-house designers. Create demonstrations for the release of technology, or create high quality visuals to be shown outside the company. Not only is comprehensive 3D design ability in modeling, texture, motion or effects required, but also knowledge and interest in cutting-edge graphic technology as well.

Though Japanese skills are not neccesary, English skills are required.

Carry out editing work of the game movies, which are incorporated at key points of the game to liven up the plotline (e.g. opening, ending or event sequences); such scenes are not involved in the production of the directly playable game parts.
Based on storyboards and rushes, edit and process materials created by the designer and make a single image material. Some project storyboards and rushes are created by the person in charge of Planning, but depending on the project, the person responsible for the composite might be required to conduct directions (create storyboards and rushes); therefore, naturally such techniques are also required.

Mainly PHOTOSHOP, ILLUSION and After Effect are used for the work. Also, the ability to use MAYA or 3dstudio Max, will allow you to carry out more elaborate work.

Though Japanese skills are not neccesary, English skills are required.

Having a thorough knowledge of new-generation visual expressions, give advice and instructions on technical aspects to designers in all areas; this job inclines more toward technology than the position of Art Director.

In an environment where the next-generation game hardware is being constantly released, in order to respond to technological change in the visual aspects, visual expression based on cinematic methodology will be necessary. tri-Ace is looking for a director who has the ability to incorporate his/her keen interest and in-depth technical knowledge into such technologies. Prior work experience as a technical director is certainly not an absolute prerequisite, but a very high technological background is required.

Basically giving technical instructions is the main part of the job, but from time to time there will be a need for ordinary designer's work and naturally such skills are needed. Mainly MAYA and 3dstudio Max are used for the work.

Basic Japanese communication skill is necessary. If you don't have sufficient skill, you will be required to have an in-house Japanese language lesson offered by the company.

Manage all the designers and unify the total visual image of a project.
The ability to clarify visual concepts and create an environment where each staff member can work as part of a team with a shared vision is required. Cooperation with the directors of other sections and management of schedules relating to artwork is also necessary.

We are looking for a person who has experience of managing designers and ideally, with experience of game production as a designer. Applicants should be able to grasp the planning content from specification documents, give explanations to designers and allocate work, and check quality throughout the production process.

Mainly MAYA, 3dstudio Max, PHOTOSHOP and Microsoft Excel are used for the work.

Basic Japanese communication skill is necessary. If you don't have sufficient skill, you will be required to have an in-house Japanese language lesson offered by the company.